
Dani Bittar is a facilitator and filmmaker. He trained in film and communication at ESPM (Escola Superior de Propaganda e Marketing), in São Paulo, and worked as a film director before moving into facilitation.
His relationship with spirituality began at fourteen, but it became more deliberate at twenty-five, through a series of formal trainings starting with neotantra, approached at first as personal development rather than a profession. After the pandemic, the work moved from the margins of his life to its center and became his main practice.
Past thirty came another layer: initiation within a lineage, under a mestra who transmitted its ritual and cosmological structure directly. Between neotantra and Brazilian shamanism, he holds two distinct bodies of practice, each shaped by a different teacher. His formation and personal exploration have also moved through Brazilian magic, embodiment, ritual practices and channeling, gradually bringing these different languages into conversation with one another.
Despite moving through different spiritual traditions, Dani's work has stayed close to psychological inquiry and the process of individuation. His approach owes as much to training as to his own experience of the body, intimacy, identity, sexuality and belonging, including the friction of passing through spiritual spaces that didn't always hold all of that.
By now, those experiences are inseparable from the work itself. Instead of keeping the psychological, spiritual and embodied apart, Dani holds them in the same field, creating spaces, including within his own community, where intimacy and spirituality don't require leaving anything essential at the door.
HEALING & BODYWORK
Reiki master by Instituto Luz in 2012, Course in classical Tantra in Koh Phangan. Training in Neo-Tantra and Coaching in Sexuality and Relationships at Comunna Metamorfose in Brazil. Provides in-person and online sessions, as well as online mentoring for all genders.
Empath in intimacy:
From photographing families in the intense moments of childbirth to capturing individuals in emotional processes within therapeutic spaces.
"Observo
Penso que causo dor, alegria.
Mas só observo
Da não existencialidade do ser
Só há observação
Na ficção
A mais distante daqui
Não há nada além
do belo "
